Photography

Digital Photography Review - News

February 20, 2019
Tamron SP 35mm F1.4, 35-150mm F2.8-4 and E-mount 17-28mm F2.8 III arriving mid-2019

Tamron has announced three new full-frame lenses slated to launch in the middle of 2019: an SP 35mm F1.4 Di USD and 35-150mm F2.8-4 Di VC OSD for DSLRs, as well as an ultra-wide 17-28mm F2.8 Di III RXD for Sony E-mount cameras.

The SP 35mm F1.4 become's the company's fastest current lens, joining the existing 35mm F1.8 in Tamron's high-end SP line. Calling it "the embodiment of all optical technology and manufacturing knowhow Tamron has developed to date," the company isn't revealing much more detail – only that it will offer fast, high-precision autofocus.

The Tamron 35-150mm F2.8-4 is designed as a compact, do-it-all zoom and is equipped with stabilization. The lens offers a minimum subject distance of 45cm / 17.7in across the entire zoom range, and low dispersion glass elements aim to keep optical aberration under control.

For Sony a7-series shooters, Tamron offers a 17-28mm F2.8 with a notably small diameter and 67mm filter size. It's equipped with a stepping motor (denoted as RXD or Rapid eXtra-silent stepping Drive) to boost its appeal to video as well as stills shooters.

Pricing isn't available at this time; Tamron plans to launch all three lenses in mid-2019.

Tamron announces the development of three lenses—two for full-frame DSLRs and one for full-frame mirrorless cameras

February 20, 2019, Saitama, Japan - Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the development of two new lenses for full-frame DSLR cameras—the 35-150mm F/2.8-4 Di VC OSD (Model A043) zoom lens and the SP 35mm F/1.4 Di USD (Model F045) fixed focal lens; and a new high-speed ultra-wide-angle zoom lens for Sony E-mount full-frame mirrorless cameras—the 17-28mm F/2.8 Di III RXD (Model A046).

Tamron will display these new lenses at CP+ 2019, the World Premiere show for camera and photo imaging, beginning February 28 through March 3, 2019 at Pacifico Yokohama and at the Wedding and Portrait Professionals International (WPPI), February 27 through March 3, 2019 in Las Vegas.

The lenses are expected to launch in the middle of 2019.

Fast compact Portrait Zoom breaks new ground: 35-150mm F/2.8-4 Di VC OSD (Model A043)

The new compact Model A043 is designed for fast handling and easy transport and features a zoom that extends from 35mm to 150mm, incorporating the 85mm focal length (often regarded as optimum for portrait shooting). It offers a fast F/2.8 aperture at the wide-angle end while maintaining a bright F/4 at the telephoto end. For close-focusing, the MOD (Minimum Object Distance) is 17.7 in across the entire zoom range. Delivering superb image quality, precisely placed LD (Low Dispersion) glass elements and aspherical lenses quash degrading optical aberrations. Furthermore, the Model A043 incorporates the Dual MPU (Micro-Processing Unit) system, which assures optimal AF performance and effective vibration compensation.

Fast fixed focal lens boldly demonstrates Tamron’s lens-making expertise: SP 35mm F/1.4 Di USD (Model F045)

Tamron’s SP lens series was born in 1979, based on the concept of delivering lenses for taking the perfect picture for those who love photography. This year marks the 40th anniversary of the series. In celebration, Tamron has developed the Model F045, the distillation of Tamron’s accumulated lens-making expertise and craftsmanship. This orthodox fixed focal lens, which some consider the most basic of all interchangeable lenses, is the embodiment of all optical technology and manufacturing knowhow Tamron has developed to date.

The Model F045’s unprecedented high-resolution image quality and beautiful, appealing background bokeh lets photographers capture any scene down to the finest details. The external lens barrel was developed through tireless pursuit of operability and durability, focusing constantly on the needs of photographers. This lens is equipped with a fast F/1.4 aperture and high-speed, high-precision AF functionality offering exceptional reliability, plus various other features for increased convenience, making it the perfect everyday lens for your creative pursuits. It is ideally suited for nearly every photographic genre, including photojournalism, landscape, sports, street life, wedding groups and family snapshots.

High-speed ultra-wide-angle zoom lens for Sony E-mount cameras is extremely compact and lightweight: 17-28mm F/2.8 Di III RXD (Model A046)

The Model A046 achieves an astonishingly small diameter for a high-speed ultra-wide-angle zoom lens, as witnessed by its modest 67mm filter size. Its unprecedented light weight and compact size provide excellent balance when used with a full-frame mirrorless camera, making it easy to carry, and enabling it to cater to a wide range of scenes and shooting conditions. The Model A046 offers a fast F/2.8 aperture throughout the entire zoom range and delivers high-resolution and contrast edge to edge. The combination of ultra-wide-angle focal length, fast constant F/2.8 aperture and Minimum Object Distance of 7.5 in at the wide-angle end encourages richly expressive and creative photography in a multitude of scenarios. The Model A046’s AF drive system is powered by the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit, enabling it to deliver high-speed, high-precision and superbly quiet operation suitable for shooting video as well as still photographs.

Note: All DSLR camera functions are possible when the Models A043 and A045 are attached to a mirrorless camera via the manufacture’s adapter.

*Specifications, appearance, functionality, etc. of the above-mentioned three products are subject to change without prior notice.

Tamron SP 35mm F1.4 Di USD, 35-150mm F2.8-4 Di VC OSD and 17-28mm F2.8 Di III RXD specifications

February 19, 2019
LensRentals constructs a C-4 Optics 4.9mm F3.5 Hyperfisheye Prototype lens

Lensrentals is known for its in-depth teardowns of the latest and greatest camera gear, but not everything has to be about destruction. For a change of pace, Lensrentals has decided to build a lens rather than destroy it.

In particular, Roger and his team have shared the above video and an accompanying blog post highlighting the construction of the the widest fisheye lens in existence, the C-4 Optics 4.9mm F3.5 Hyperfisheye Prototype.

Photos kindly provided by Lensrentals

Much like the 1970s Nikkor 6mm f/2.8 fisheye lens, the C-4 Optics 4.9mm F3.5 Hyperfisheye Prototype is so wide that it can actually see behind itself. It takes it a step further though; Instead of the 220-degree field of view of the Nikkor lens, the C-4 Optics fisheye, of which only two have been made, has a 270-degree field of view. Not only is it wider though, it's also sharper and has less distortion and vignetting.

An individual element is stacked on top of another during the construction of the lens.

The entire construction is a doozy from beginning to end, with individual elements costing as much as $5,000, but as always Lensrentals manages to get it down with impeccable results. The final result is an unusual-looking lens that has legs and a backplate to help support the massive hunk of glass and metal.

'For those of you who are curious, a smaller Sony camera (A7xxx) fits nicely protected within the legs,' says Roger in his blog post. 'For larger cameras the bottom platform can be removed, the legs extended or removed, and various apparatus (rods, follow focus, aperture control, etc.) mounted directly to the cheese plate.'

Roger notes the lens won't be available to rent, so don't get your hopes up. To see the full build and soak up the details, head over to Lensrentals.

February 19, 2019
'Kissing sailor' George Mendonsa featured in iconic 1945 photo dies at 95

The kissing sailor featured in the iconic 'V-J Day in Times Square' photo, George Mendonsa, has died at the age of 95, according to his daughter. Mendonsa suffered a seizure at the Rhode Island assisted living facility where he resided and passed away two days before his 96th birthday.

The photo, which was first published by Life Magazine in 1945, was captured by photographer Alfred Eisenstaedt at the end of World War II. Mendosa, a sailor in the U.S. Navy, had been on a date with Rita Petrie, his eventual wife of 70 years, when he heard news of Japan's surrender in August 1945. Overcome with excitement, he grabbed a stranger and kissed her.

The identities of the two people featured in the photo remained a mystery for decades, spurring multiple false claims from individuals who alleged they were the pictured subjects. The issue was laid to rest in 2012 when the U.S. Naval Institute Press published a book title 'The Kissing Sailor' by George Galdorisi and Lawrence Verria.

A combination of expert analysis and facial recognition technology confirmed the image features Mendosa and Greta Friedman, the woman in the nurse's uniform. According to Verria, Mendonsa had been struck by the sight of nurses treating injured sailors during the war. When news of the war's end arrived, Mendonsa saw Friedman in her uniform and pulled her into a kiss.

In a 2005 interview, Friedman explained the experience from her side, saying that she had been working that morning in a dental office when rumors of the war's end began circulating. Later that day, Friedman walked to Times Square and saw a billboard confirming the news.

And so suddenly I was grabbed by a sailor, and it wasn't that much of a kiss, it was more of a jubilant act that he didn't have to go back, I found out later, he was so happy that he did not have to go back to the Pacific where they already had been through the war. And the reason he grabbed someone dressed like a nurse was that he just felt very grateful to nurses who took care of the wounded.

Photographer Eisenstaedt detailed the moment he captured the iconic photo in his book 'Eisenstaedt on Eisenstaedt.'

February 19, 2019
Live Q&A with DPReview editors about the Canon EOS RP

We were live this morning to discuss the new Canon EOS RP mirrorless camera and to answer questions from our community. You can re-watch the video here, and we'll try to address those questions we couldn't get to in the comments below.

February 19, 2019
Luminar update brings improved performance and new features

Skylum Software has announced an update to its Luminar image editing software. Version 3.0.2 comes with new features as well as improvements in performance and stability.

The latter includes faster import of images and folders to the catalog and faster launch times on the Windows platform as well as faster image moving between external and internal drives and better imports of native Luminar files for Apple Mac computers.

On both platforms the software now offers a new 'Locate Folder' command, allowing users to find misplaced or moved folders on their system. There are also new dedicated toolbar buttons for Gallery and Single Image views.

New features for Windows users include nested folders, offline file alerts and new shortcut keys for several functions. On a Mac you can now enjoy automated database backups, new preferences for cache, catalog and backup and Aurora HDR integration among other new functions.

The new version also comes with an updated list of supported cameras to which the following models have been added:

  • Nikon: D3500, P1000, Z6, Z7
  • Panasonic: Lumix DC-LX100 II
  • Fujifilm: GFX 50R, X-T3
  • Sony: RX100VA, RX100VI, DSC-HX99, DSC-HX95
  • Leica: M10-D, M10-P, D-Lux 7

A full list of supported cameras is available on the Luminar website. Luminar is available as a 30-day free trial. A full license will set you back $69 and allows you to install the software on five machines in your household. More information is available on skylum.com/.